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"That's awful nonsense, you know," says Rodney, lightly. "When he sees I haven't taken any steps about arresting him, he will forget all about it, and bear no further ill will.",

"Ah! now, I have disturbed you," says Mrs. Geoffrey, pathetically, to whom lovers are a rare delight and a sacred study. "How stupid of me! Sure you needn't have come out, when you knew it was only me. And of course he wants you, poor dear fellow. I thought you were in the small drawing-room, or I shouldn't have called you at all.",

"Coolnagurtheen.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.

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Any demonstration on her part just now may make a scene, and scenes are ever abhorrent. And might she not yet further widen the breach between mother and son by an ill-timed show of affection for the latter?,

When they stood outside the Raven asked, "Is the home of your people far?",

"Did I say all that?" asks Mrs. Geoffrey, with wide eyes. "Indeed, I think you mistake. Old people have wrinkles, and they do not talk as you do. And when one is sweet to look at, one is never old.",

And Jack is greatly pleased with them, and, seeing everything just now through a rose-colored veil, tells him self he is specially blessed in his own people, and that Geoffrey and old Nick are two of the decentest old men alive. Yet he too is a little distrait, being lost in an endeavor to catch Violet's eyes,—which eyes refuse persistently to be so caught.